Joshua Borrill is an independant colourist based in Milan, Italy, working with directors, cinematographers, and post-production studios globally. Grading more than 600 commercials each year, alongside feature films, documentaries, and music videos, he has built a career around crafting rich, cinematic images inspired by the timeless character of photochemical film.

Joshua's journey into colour began with a simple goal: to recreate the beauty and emotion of true film. Finding Dehancer was a turning point, giving him the tools to achieve the depth, texture, and authenticity he had been striving for. Today, the Dehancer OFX plugin is an indispensable part of his grading workflow, and he genuinely can't imagine working without it.

Whether crafting looks for independent films or global campaigns for brands including Nike, Apple, Samsung, Mercedes-Benz, and New Balance, Joshua believes colour should always serve the story first. His approach combines technical precision with creative intuition, creating images that feel honest, timeless, and emotionally engaging.

Jessica Huang is a DI colorist from Jakarta, Indonesia, whose passion for visual storytelling began long before she discovered filmmaking. As a child, she loved drawing and expressing ideas through images, a curiosity that eventually led her into the world of post-production. She began her career as an editor before finding her true creative home in color grading.

Now in her third year as a professional DI colorist, Jessica has collaborated on commercials, short films, feature films, and music videos. She believes color is more than a finishing step, it is a language that shapes emotion, atmosphere, and the way audiences experience a story. Inspired by both the artistry and technical precision of color, she continues to explore new visual languages with every project, striving to grow as both a colorist and a storyteller.

We are The Post Brothers, and we truly believe that color grading is an art form. Every project we take on—whether it’s a music video, commercial, feature film, or documentary—is approached with one question in mind: How can we make it more cinematic, more premium, and more creative?

This project was one of the ones we believed in the most this year. Together with our dear friend and director, Arian Ahmeti, and the incredible team at Trekuartista, we explored how to bring this dystopian world to life. By blending Dehancer’s film profiles with our own creative approach, we crafted a unique visual language that matched the atmosphere we had envisioned.

Having this work recognized means so much to us. It reminds us that passion, dedication, and believing in your artistic vision truly matter.

Being part of the Dehancer community, and receiving this recognition from a team whose tools have become an essential part of our creative process, is a true honor.

A huge thank you to Arian Ahmeti for trusting us, to Trekuartista for this amazing collaboration, and to the entire Dehancer family for this incredible recognition. It truly means the world to us.

Maxime Garnaud: "I am a french freelance colorist based in Paris.

I learned how to see an image doing film photography. I talked a lot about color science with friends which are DoP and Colorists, that helped me a lot to understand how colors works. Now I work on documentaries and began to work on features films as well.

Using film look dev such as Dehancer is a really good starting point that makes us have more time to speak with DoPs and Directors about what they really want. Being human and comprehensive is 60% of the job, the rest is being professional and mastery our art. We should never forget that this is a social job and communication is the key to have a perfect balance between a great look, and a look that serves the story."

Christian Leiva, born in Argentina in 1982, is a colorist with more than 18 years of experience in post-production. He began his career as a focus puller before moving into digital imaging and post-production, working as a DIT and digital film restoration artist on commercials and feature films. Those early experiences gave him a deep appreciation for every stage of the filmmaking process and continue to shape his approach to color today.

Over the years, Christian has graded more than 40 feature films, including the Bollywood productions Looop Lapeta (Aakash Bhatia), Dhaakad (Razy Ghai), and Baramulla (Aditya Jambhale). Since 2019, he has been based in Mumbai, India, working as a colorist at After Studios on commercials, music videos, feature films, and streaming content for clients including Samsung, HP, JBL, Spotify, Netflix, Lazada, Amazon, Nike, Adidas, Kia, and Levi’s.

For Christian, color grading is about more than creating beautiful images—it’s about serving the story, preserving emotion, and giving every frame its own sense of atmosphere. Dehancer has become one of his favorite creative tools, helping bring subtle film texture, depth, and organic character into his projects while always keeping the storytelling at the heart of the image.